- Advanced keyframe techniques
- Grouping 'layers' together
- Importing and using audio
U = Position
Each solid is currently moving at a constant speed, an unnatural movement
Needs acceleration and deceleration - provides a more natural 'feel'
Quick shortcuts and presets that allow us to change how this keyframe works
Animation > Keyframe assistant > Ease out
The frames with the blue solid layer are constant
With the 'ease out' keyframe, there are many frames towards the beginning of the movement
Both layers begin and end at the same point and time
Ease in on the last key frame = deceleration (Starts quicker, ends slower)
Selecting both position keyframes and adding 'easy ease' = combination of the two
Graph editor
With the graph editor, you can see the movement of the layer more clearly
Changes in speed can be altered simply be changing the position of the anchor points
You can just use the speed graph to add acceleration and deceleration
You can use the yellow handles to alter the shape of the curve
Make sure 'edit speed graph' is highlighted
Pendulum
Double click on ellipse tool to add a circular mask
Use the 'pan behind' tool to move the anchor point towards the top of the composition
Added 3 rotation keyframes (70, -70, 70)
Edit value & speed graph differs
I then made sure the keyframes were evenly spaced
I ensured the handles were also even
Common animation / Grouping
Parent and child relationship
One layer = parent
Select multiple layers, aside from one, and change its 'parent' to the other layer
When you make changes to the parent layer, all the other layers are linked
The 'children' layers scale, rotate and so on around the same anchor point
Independent keyframes can be added even after setting the parent layer
If you change the opacity of the parent layer, it doesnt apply to the child layers
Set the parent of the yellow wheels to the red car
The child layers are still moving independently
Added 3 position keyframes (the middle being at the top of the hill)
I altered the motion path to fit the path of the hill
Layer > Transform > Auto-orient
Ensures the layer follows the orientation of the motion path.
Nested compositions
One composition inside another
Select all layers > Layer > Pre-compose
The 3 layers are then replaced with one layer
All the transform properties retain
If you double click on the composition, you are then able to alter individual layers
The pre-composed composition and the original composition are linked
Changing a colour in the 'car' comp alters the main comp
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